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Ryan Baker
5 monthsReply
Wet Hot American Summer

“As surely as the sun shall set, so, too, shall future generations erect glorious cathedrals to honor Paul Rudd and Christopher Meloni for their performances in David Wain's infinitely awesome 2001 '80s summer camp comedy.”

Rod Lott
Rod Lott replied on Ryan Baker's link
5 months

This is one I just don't "get."

Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

It is batshit insane. I can't explain it, I just know I never want it to end.

Ryan Baker
Ryan Baker checked in to Winter's Bone
5 monthsReply
Winter's Bone

“Every frame filled with bleak, teeth-gritting cold, Debra Granik's 2010 noir set amid the frigid Ozarks is a harsh depiction of a stern, steely 17-year old's grim journey through a damaged landscape of damaged people and rural power structures.”

Ryan Baker
Ryan Baker checked in to Margin Call
5 monthsReply
Margin Call

“It's night of the living derivatives as J.C. Chandor's 2011 boardroom drama captures the dawn of the financial collapse; panic travels up the corporate ladder and, via Wall Street alchemy, becomes ruthless expediency. A cold, harsh and realistic film.”

Ryan Baker
Ryan Baker checked in to Coriolanus
5 monthsReply
Coriolanus

“Intense and ferocious, Ralph Fiennes' 2012 adaptation of Shakespeare's military tragedy roots timeless themes in the cloistered halls of modern politics, made ever sweet by Elizabethan English words commanded by an inspired cast.”

Ryan Baker
5 monthsReply
The Bird with the Crystal Plumage

“Stylish and thrilling, Dario Argento's 1970 directorial debut is the quintessential giallo, laden with psychosexuality, imperiled women and a leitmotif of curation and display that informs much of the Male Gaze/voyeurism at the heart of the plot.”

Ryan Baker
5 monthsReply
The Mummy's Curse

“The fifth and final film of Universal's Mummy series, produced in 1944, is wildly insane, set in rural Louisiana circa 1990 (not a typo) and populated solely by ethnic and racial stereotypes. It is impossible to take this film seriously.”

Ryan Baker
5 monthsReply
The Mummy's Ghost

“This silly, barely an hour-long 1944 sequel - inexplicably set in rural Massachusetts circa 1970 - is routine B-movie fare; it's melodramatic, cheap and features a drunk Lon Chaney Jr., but the ending is as shockingly dark as it is surprisingly sudden.”

Rod Lott
Rod Lott replied on Ryan Baker's link
5 months

I think I love all the Universal Mummy movies. That might not be the case if they were longer.

Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

I'm shocked at how insane they are ... and disappointed there aren't more.

Ryan Baker
5 monthsReply
Wrangler: Anatomy Of An Icon

“The outrageous life and times of sex icon Jack Wrangler gets a long, hard look in this tremendously funny 2008 documentary; it needs no embellishment as Wrangler's career - as well as Wrangler himself - is as clever as it is absurd. ”

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Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

I had not heard of Wrangler, either, but this is directed by the same guy who did "Spine Tingler! The William Castle Story" and, you know, relevant subject matter, so I gave it a try and it's pretty good. Unfortunately, this is a rare porn doc that will make your life seem less awesome. And yes, pun intended.

Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

P.S. "After Porn Ends" is a porn doc that sounds more up your alley. Pun intended.

Ryan Baker
Ryan Baker checked in to Out of Sight
5 monthsReply
Out of Sight

“Has this not aged well or have I been watching too many genre films? I found Soderbergh's much-loved 1998 Elmore Leonard adaptation thoroughly unengaging; downright lukewarm, really. Genuinely surprised given reputation and pedigree.”

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Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

Indeed, first viewing. Aside from the restaurant pick-up scene, I dunno, it just didn't resonate; didn't identify or really give a damn about any of the characters (other than Ving Rhames, but that's a given). Worth trying again, I suppose.

Rod Lott
Rod Lott replied on Ryan Baker's link
5 months

This could be one of those Had to See It When films, because I am surprised it didn't work for you, A Man of Exquisite Taste. Or perhaps it just didn't work for you.

Ryan Baker
5 monthsReply
Kill, Baby...Kill!

“The fog-swept ruins of a Gothic ghost story are rendered sublimely surreal in Mario Bava's hallucinatory 1966 horror film, a supernatural giallo shot with moody, opulent atmosphere and all the feverish, saturated colors of the dark. ”

Ryan Baker
Ryan Baker checked in to Lockout
5 monthsReply
Lockout

“Guy Pearce's biceps notwithstanding, this Luc Besson-produced 2012 reconfiguration of Carpenter's "Escape from New York" set on an orbiting space jail is way too repetitive and choppy to pull off it's modern scifi B-movie ambition.”

Ryan Baker
Ryan Baker checked in to Skyfall
5 monthsReply
Skyfall

“A troubled third act and absurd technobabble aside, Sam Mendes' 2012 installment of the 007 franchise deftly balances spectacle and character in an effective soft reboot but Roger Deakins' magnificent cinematography steals the show throughout.”

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Indun Pamilu
Indun Pamilu replied on Ryan Baker's link
5 months

Roger Deakins should be the one of best cinematographer on the oscar next year !

Rebecca
Rebecca replied on Ryan Baker's link
4 months

I dislike Bond films and went in expecting garbage. I'm not sure if it was the film itself or my rock bottom expectations but I was left impressed.

Ryan Baker
5 monthsReply
The Curse of the Fly

“Irradiated mutants, dark familial secrets, teleportation ethics - Don Sharp's 1965 trilogy-concluding sequel is an unconventional dose of Gothic science fiction and, uneven though it may be, it's still cerebral schlock worth your time.”

Ryan Baker
Ryan Baker replied on Ryan Baker's link
5 months

Seriously, if the opening sequence doesn't sell you on this, I don't know what will: http://www.youtube.com/watch?v=WGYMNIRNTao

Ryan Baker
Ryan Baker checked in to Wish Me Away
5 monthsReply
Wish Me Away

“It is difficult and humbling to watch someone fight so hard to simply be who they are; Chely Wright, in this 2011 documentary, does just that as she comes out in the cloistered bastion of rural American conservatism: country music. ”

Ryan Baker
5 monthsReply
The God of Cookery

“Culinary combat takes center stage in Stephen Chow's insanely unpredictable 1996 Hong Kong comedy, a far out riff on "Iron Chef" full of slapstick physical comedy, cooking duel buffoonery and pure, bewilderingly weird humor.”

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